Writing While Distracted

Writing as Gardening: Tending Your Creative Soul

Posted on November 7, 2019 by Brenda

It’s been a while since I’ve posted. My novel Complex Dimensions released in September, and then I attended Surrey International Writer’s Conference, and now I’m amid National Novel Writing Month (NaNoWriMo). For anyone that doesn’t know, NaNoWriMo is an annual quest to write 50,000 words in November. I have participated in the last few years, and those novels have gone on to be published. I always count on NaNoWriMo to help me meet my goal of completing two manuscripts a year for submission. The concept of planing your writing/creative projects from a year-round perspective is what keeps me sane in a world that thrives on production at all costs. I young kids at home, and my creative schedules revolve around the school year. I also like to give myself a break around Christmas and New Year’s to spend time with my family.
When I plan my new work for the year, I enter significant commitments into my calendar first. Trips I have scheduled and conferences I plan to attend, family time, and self-care, all the things that fill my creative well, and let me come back to the blank page ready to write are my priorities when planning my work.
I have known too many writers who burn out and find themselves blocked, unable to write a thing because of pushing themselves to meet someone else’s idea of productivity.
So what does this have to do with gardening? I have a garden, and as part of taking care of it, I put it to bed when the weather turns by adding leaves and other organic matter and then covering it, trusting that everything will mellow and break down over the winter. I will have a lush soil to grow in when spring arrives. Some people grow things year-round, using covers and greenhouses and force their gardens to keep producing, but crucial to their success is to rotate their plantings, taking time to let some parts of their garden recover.
Much of writing is providing time for your mind to create, to think, and to wonder ‘what if?’. Taking time to reset and recover is essential after a considerable period of productivity.
Read, take walks, draw, paint, listen to music, hang out with your family and friends, visit museums, and travel. Do all the things that feed your creative soul, knowing that when it’s time to work again, you will be ready to create.

Brenda Murphy writes short fiction and novels. She loves tattoos and sideshows and yes, those are her monkeys. When she is not loitering at her local tea shop and writing, she wrangles two kids, one dog, and an unrepentant parrot. She reviews books, blogs about life as a writer with ADHD and publishes photographs on her blog Writing While Distracted. You can find her on Facebook by clicking here. Sign Up for her email list here and get your free Erotic Short Story www.brendalmurphy.com

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Keys to Compelling Fiction: Crafting Characters

Posted on August 28, 2019 by Brenda

“The lovely thing about writing is, well, two things. One, writing fiction allows us to bring an order to our lives that doesn’t exist in real life. And two, it allows us to create human characters that we know better than we will ever know anyone in real life. ” Octavia Butler

I adore the above quote from Octavia Butler. Characters are, for most readers, the most compelling reason for them to keep reading. Readers may tolerate a mediocre plot and pacing that is a bit off, but if they don’t give a rat’s patootie about the characters, they will stop reading your novel. I know from discussions with both authors and readers I’m not the only person who misses fictional characters after we finish writing, or reading a book, in fact sometimes the only thing that pushes me to finish is a desperate desire to know how my characters’ stories unfold and because I write romance I want them to get to their happy endings.

How do you go about crafting characters that keep readers turning pages? Some writers fill out exhaustive inventories of personality questions, and character inventories, some authors write reams of backstory, and others wing it. I have one friend that draws Tarot cards and uses them to create her characters.

I have a few tools I use for character creation and thought I would share my favorites. I begin my character building by starting with generalities: what they look like, age, where they grew up, and what they do for a living. The next step is completing the Backstory Wound Profile tool developed by Becca Puglisi and Angela Ackerman and available in their book, The Emotional Wound Thesaurus: A Writer’s Guide to Psychological Trauma. I use The Emotional Wound Thesaurus to give depth to my characters, to provide them with reliable, understandable, and relatable reasons for their behaviors.

My next step is to complete a quick reread of Debra Dixon’s GMC: Goal Motivation and Conflict. Her short book is a concise explanation of why it is essential to understand your character’s goals, motivations, and conflicts. Dixon provides a GMC sheet that I complete as well using the information from the Backstory Wound Profile tool. If you don’t read any other book on this list, read this one. The third step in creating my characters is to research their occupations and culture. I use blogs, ethnographies, and in some cases, my travel journals to add details to my characters profiles.

Developing my characters is as much a part of my writing process as much as creating an outline. If I get stuck writing a scene or if the story is not flowing, I go back to my character sheets. Story flow problems are most often issues with a character’s growth arc. After rereading my character sheets, I’m usually able to suss out why my story is not working. After I address character arc issues, I’m ready to continue writing with confidence, knowing that my characters are moving along a believable path.

Writers, what are your favorite ways to craft characters? Do you have favorite tools and techniques you use? Readers, who are your favorite characters from fiction, the ones you still think about long after you close the book?

Books available at

Knotted Legacy

Coming Soon

Complex Dimensions, book four in the Rowan House series. Preorders Available September 20, 2019

When You’ve Lost the Thread

Posted on April 11, 2019 by Brenda

It’s been a while since I’ve written about writing, mostly because I’ve found a system for fast-draft writing that has worked with my ADHD. I used my system for seven novels and I’ve been comfortable with the results. I have never been a detailed outliner. I work from a scene list and character goal-motivation and conflict sheets and let my story evolve organically within that framework. I typically draft a 60-65K novel in four to six weeks and then spend three to four weeks revising and editing my draft before submitting it.
Trusting in my system, I used it with my current project, a novella-length paranormal romance with dual points of view. With this project, because I needed to attend to two character’s points of view, along with paranormal conventions, I’ve been feeling my way along the story, and it was going well, slowly, but well.
And then I needed to take some time after my brother-in-law’s death. I set my story aside for three weeks, and when I started working on my novella again, I was lost. I couldn’t remember what I had written, or where I was going in the story.
Because my way of working falls somewhere between a painter and a plotter I used a technique that is a routine part of my revision process, I printed out what I had written and reverse outlined the story as a way of figuring out what I needed to do to complete my draft.
After reviewing my outline I know I need to write six more scenes to finish my first draft and have about 13K words to complete those scenes and stay within my word count limit.
What is a reverse outline? It involves reading what you’ve written and then creating an outline from that document. It can be detailed or brief as it fits your style. For me, it’s a one-sentence description of what happens in each scene.
I don’t stop to edit my work. I merely outline my story as it stands. After I have completed the outline I read over it to assess if my scenes flow as they should, that my story beats are where they should be, and in this case that I’ve given equal time to each character’s point of view. I use highlighters to tag types of scenes and transitions.
It is the simplest way I’ve found to check structure and beats, and if you have lost your way, it is a road map back to your central story and ensures that critical elements of your novel are not missing. If you struggle with plotting and structure, try adding a reverse outline to your routine revision process.
This time a reverse outline was a way of finding my way back to writing after a family tragedy, and another step toward preventing my grief from keeping my words bottled up.
Will a reverse outline work for everyone? Nope. If you are detailed outliner and are able to stick to your outline religiously, it might be redundant, as a plotser (panter+plotter) it is essential for me. Try it the next time you’re stuck and take advantage of a simple way to assess your story structure.

Books available at

Knotted Legacy

Doing the Work

Posted on February 21, 2019 by Brenda

If you follow me on social networks you know I’m wrestling with writing in a new genre. And like a lot of writers whenever I’m struggling with a work in progress, new storylines scamper through my thoughts. As a writer with ADHD, this is not a new thing; I’m used to adorable new story ideas flaunting themselves to entice me to leave the hard work and write something new.

My standard way of dealing with herds of wild plot bunnies is to keep a notebook nearby, scribble down my thoughts and get back to work on my primary manuscript. I have managed to finish six novels using this technique, but for the last three weeks I have not only had to cope with new ideas rampaging through my thoughts and distracting me from my work, but vicious self-doubt demons moved in and had a rave.

After becoming annoyed with the demons and myself for listening, I used these strategies to kick my self-doubt to the curb. As with any list of tips, your mileage may vary but give them a try; you have nothing to lose but fear.

1. Remind yourself of your why: Why do you want to write? And why this story specifically?
2. Give yourself permission to imagine what the worst is what will happen if you write a crappy first draft. Write down all your worries and fears, get it all out. Then tear that paper up and get back to work. You can fix a first draft; you can’t fix a blank page.
3. Set small word count goals that you know you can meet. Even if it is one hundred words a day, it will all add up to a finished draft. If you don’t use word counts, set a timer for ten minutes and write as many words as you can, giving yourself permission to stop at the end of the period or keep going if you’re in a grove.
4. Eat. Drink water. Exercise. Take care of your body.
5. Embrace the fear and do it anyway, let the demons rage. Writers write. Don’t give up, and it only feeds the demons

Books available at

Knotted Legacy

Writing: Job or Business?

Posted on June 7, 2018 by Brenda

I was reading a thread a few weeks ago about writing, specifically about the need to write every day and the idea that if you didn’t, you weren’t serious about being published. One of the you-must-write-everyday proponents wrote, “I treat writing like my job and show up every day.” As I turned that thought over it occurred to me “Is writing my job or my business?”
Now, in case I have been unclear in the past, I’m am firmly in the camp that recommends writing when you can, making use of whatever time you have to write. Working this way has seen me through four published books with another novel set to release in September. A job usually has set hours and an expectation of working a set time. As a small business owner, in addition to being an author, I can tell you that working on your business is a matter of finding/making time to do what needs to be done. Owning a business involves thinking and dreaming, strategic planning, cash flow management, and setting goals.

Just showing up every day and putting words on paper does nothing if you don’t have a plan for what to do with those words. If having your book traditionally published or indie publishing is your goal you have to have a plan, and then you must take advantage of every second you have to work your plan.
As someone with a day job, who is also a spouse, a parent, and a daughter with older parents and in-laws this is the only way I’ve been able to get any writing done with the goal of publication. I’ve researched publisher sites and calls for submission databases sitting on the couch while my kid with a fever dozed next to me. I’ve written in hospital waiting rooms while various family members were having surgery, and in medical offices and occupational therapy waiting rooms, and very late at night when the house is quiet, and I can’t sleep.
When my kids were little, I had exactly 2 hours and 45 minutes to write between when I dropped them off at pre-school and when I picked them up. I wrote like a fiend during that time, unless I need to grocery shop, or had to run some other errand that would have been incredibly stressful with three-year-old twins in tow. Writing every day does not make you a writer or indicate the level of your seriousness. The things that indicate a serious approach to publishing your work are writing, editing, submitting your work, finding ways to improve your craft, and working steadily towards what you want. Writing for publication is not just about writing, it is about learning your craft, striving to make the next book better than the last, and most of all it is about not listening to people say you have to do X, Y, or Z to be considered serious writer. You do you. Find your way. Don’t listen to people who insist there is only one way to do anything, even me.

Website: www.brendalmurphy.com

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