Category Archives: Book Review

A Year of Women’s Voice’s Retrospective

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I started my Year of Women’s Voices project about this time last year. As an obsessive reader, book reviews are one of my favorite posts to write.  Each review features my thoughts on the craft of writing and observations about story telling learned from each writer. I have arranged my 2014 posts in chronological order, most recent first.  If there are writers here that you have not read, challenge yourself to read one new author this year.

 

Zoe Kessler: ADHD According to Zoe

 

 

 

Patti Smith: Just Kids

 

 

Jenny Lawson: Let’s Pretend this Never Happened

 

 

Megan Hart’s Lovely Wild_ A Year of Women’s Voices

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I met Megan Hart at the CNRWA Spring Fling 2014 conference. She was charming and hella funny. One of the things we talked about besides RVs and family vacations, was music and writing. I appreciate Megan’s ability to write across many different genres. It is not often you find a writer that has a story for you, no matter what your mood.In Lovely Wild, Megan Hart’s most recent release, Megan brilliantly tells the story of Mari, a woman with a past that does and does not define her. Over a summer spent in her childhood home, Mari discovers past and present betrayals, encounters her hidden history, and finds her strength in the love she has for her children and herself. Reminding us all that people can be so much more than they appear to be, Mari is a character that you will remember long after you close the book. Lovely Wild is a story of growth, redemption, and family secrets that will keep you turning pages with that wonderful edge of your seat feeling that comes with a well written suspense novel. Be advised, do not start this book at bedtime unless you want to stay up all night reading.

Megan includes playlists in each of her books that enrich the reading experience in a visceral way. If you have read Megan’s other books, and let us be clear here, you should, listen to the playlists included, it is a way to enjoy the story all over again.  I had some questions about how Megan uses music when she writes and Megan has answered them here:
 1.    Have
you always written / worked to music?
Megan Hart: Yes!
Honestly, the iPod was the best invention ever, because before that I had to
make mix tapes and/or CDs and use them for playlists. So yes, I have always
used music while writing.
2.
Do
you sing along with the lyrics when you are writing? 
Megan Hart: Absolutely.
And sometimes I dance.  
3.
Do
you have playlists for certain types of writing?
Megan Hart: Not
necessarily for different types of writing, but definitely a different playlist
for each book. The songs can be pertinent or somehow relating to the book or
just what I happen to be into listening to at the time, but what’s so crazy is
that when I look back at what songs are on old playlists, I can really sink
back into how it felt when I was writing that book.
4.
How
does music influence you? Is it a way to block distractions, or do you think
that the mood created by lyrics / music enables you to get where you need to be
emotionally for what you are writing?
Megan Hart: Both.
If I’m trying to write in a public space (which I had to do a LOT when my kids
were smaller and I’d write in a coffee shop or the playground or whatever) the
music definitely is used to block out the distractions. But also, when I put on
something sad or happy or ethereal it really gets me into the spirit of the
book. I have a long playlist of songs that stab me in the heart, and I listen
to them to get where I need to be for the writing, because fortunately my
default emotional setting is not woebegone angstmonster. So I have to find a way
to dig into that, and music helps. 
5.
Have
you ever written lyrics, or considered writing songs?
Megan Hart: I have. I write lyrics a lot, but I can’t
read or write music, so it’s really not very productive! I wrote a song for a
story that will be out some time in 2015 and someone did write music for it,
which was amazing. 
6.
Do
you listen to different types of music when you are editing versus first draft?
Megan Hart: Not
really. Pretty much the same throughout. 
7.
Do
you listen to the same playlist each time you work on a project?
Megan Hart: Yes,
usually.
 8.
Does
the music suggest the story, or does the story come you and then the music?
Megan Hart: Story
comes first, then I find the music that fits. There have been a few times when
a song inspired something, or lyrics have prompted a scene, but usually the
music is backdrop.
9.
What
of music do you detest?
 Megan Hart: Jazz.
I hate jazz so much. Jazz makes me want to stab out my ears. Modern jazz, I
guess, all the boopdeleeboopedeedoo whatever. Once I went to a modern jazz band
with my husband and I wanted to both die and kill everyone in the room at the
same time, that’s how much I hate it.
10.  What kind of music is
your favorite?
Megan Hart: That’s
a harder question to answer. I love such a wide range. I love classical, pop,
hip hop, rock, hard rock, heavy metal…really, I love almost everything (except
modern jazz.)As a writer this is what I have learned reading Megan Hart:

1. Great stories do not have to be set in exotic
locations.
2.  Internal dialogue is as important as external
dialogue.
3.  Pacing is essential to building suspense.
4.  Create characters that are capable of doing the
extraordinary when they reach the tipping point.
5.  Embrace the dark side of your characters, all of
them, not just the villains.
6.  Emotions are never
simple, don’t be afraid to show exactly how complicated they are.
7.  Do not back off from
social class conflict and social expectations, show just how deep and ugly they
can be.
 Mega Hart’s new novel Lovely
Wild is out now: You can purchase the book here or your favorite independent book store

 

Zoë Kessler ADHD Accoding to Zoë _ A Year of Women’s Voices

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Zoë Kessler’s book ADHD According to Zoë : The Real Deal on Relationships, Finding Your Focus & Finding Your Keys (2013) is the first book I recommend to women with ADHD.

Ms. Kessler’s book offers suggestions for the issues that ADHD folks deal with everyday, and she does it with humor and honesty. Her poignant stories and examples of the effects that ADHD has had on her life left me laughing, and a little teary remembering some examples from my own life. She effectively articulates the belief that many individuals with ADHD have: everyone else must know some grand secret way to keep it all together AND remember where they put it.
Ms. Kessler’s book differs in her honest approach to how ADHD affects social relationships and sexuality, a topic that most books address fleetingly or not at all.  Ms. Kessler’s suggestions and tips are truly helpful. The solutions presented are things that folks with ADHD would able to accomplish, not some solution dreamed up by someone who has no idea what it is like to be wired 24/7/365 with a short attention span, unless we are hyper-focused.  Ms. Kessler’s warmth and genuine desire to help comes through in her writing. Reading this book is like having a conversation with a close understanding friend.
Ms. Keller also examines and addresses the stress that comes from being a woman with ADHD and the social construct that women are the center of the family, able to take care of everyone and everything else in addition to themselves, addictions, disorganization and time management,  sexuality, social issues, impulsiveness, the need to move, financial issues, creativity, and overwhelm. She encourages women to embrace their differences and find ways to work with who they are, instead of trying to force themselves to become the imagined perfection of everyone else.
Her message of hope that everyone diagnosed with ADHD treat themselves “with the respect, kindness and love that you deserve” is a welcome one.  If you only have one book on your shelf that deals with ADHD make it this one.
As a writer and fellow club member this is what I have learned reading  Zoë Kessler’s book and her very helpful blog ADHD from A to Zoe

 

 

1.  Tell your story honestly.
2.  Humor makes it easier to talk about difficult topics.
3.  Real life examples are an effective way to tell your story.
4.  It is possible to make writing about self-help FUNNY and helpful.
5.  Embrace you unconventional self, let it show in your writing.
Here a short bio and contact information for Ms. Kessler.
Zoë Kessler (http://www.zoekessler.com) is a best-selling author, journalist, and motivational speaker who specializes in topics relating to adult Attention Deficit Hyperactivity Disorder (ADHD / ADD).
A top blogger at Psych Central.com, Kessler‘s blog, ADHD from A to Zoë has garnered a loyal readership from around the globe. Kessler also blogs for The Huffington Post, and is a frequent contributor to ADDitude Magazine. She’s created radio documentary and standup comedy about being a woman living with ADHD. Zoë’s been interviewed on international radio, and has been featured in print media, documentaries, and books on the topic of women and ADHD, including Scientific American Mind Magazine.
Kessler’s most recent book, ADHD According to Zoë: The Real Deal on Relationships, Finding Your Focus, and Finding Your Keys has been described as a must-read, spellbinding portrayal of a woman with ADHD.
You can find the book here or your favorite independent bookstore

13 Stories for Halloween

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I love to read stories and books that scare me. I crave that anxious, adrenalin fueled feeling of freaking out. The stories that are my favorites are stories that have images, characters, and scenarios that infiltrate your mind and still scare you long after you have read them. As a kid my room was decorated with EC Horror comic pull-outs, and posters of my favorite horror movies and creature features.
In honor of Halloween, here is a list of stories that have stuck with me, and still come unbidden to disturb my days and nights. I hope you find new reads, and old favorites here.

1. “The Birds” by Daphne du Maurier. I read this when I was about ten years-old, and since then have never been able to walk past a gathering of crows without getting freaked. It is still my favorite Hitchcock film. Who can beat Tippi Hedren screaming?!

2. The Exorcist by William Peter Blatty. I read this when I was twelve. It scared the Hell out of me. The movie makes me laugh because the book was so much more scary.

3. Parable of the Sower by Octavia Butler. I wrote my homage to Ms. Butler (here). This story scared and still scares me because it does not seem so far off nor implausible.

4. Jaws by Peter Benchley. I grew up at the beach, and to this day I will not go swimming at night. The book has a great subplot that was left out of the movie. I had the good fortune of seeing the movie on a huge movie screen the summer it debuted, and it still is one of my favorites. If I am ever eaten by a shark, I want to go out like Quint, fighting all the way.

5. It by Stephen King. I have read just about everything the man has written, and this is the one book that gets me. Clowns scared me before I read this book but after reading It ,I just want to punch them on sight.

6. The Haunting of Hill House by Shirley Jackson. The great Shirley Jackson has so many wonderful stories I had a hard time picking my favorite. This book is responsible for some really freaked out running past likely looking houses.

7. Something Wicked this Way Comes by Ray Bradbury. I love carnivals, circuses, and sideshows. This story always comes back to me and makes me a little on edge at fairs and carnivals.

8. Interview with a Vampire by Anne Rice. I stayed up all night reading this, alone, in a ground floor apartment. I finally fell asleep when the sun came up, thinking I might be safe because the vampires where sleeping too.

9. Rosemary’s Baby by Ira Levine. The book is creepier than the movie, for years I looked wild-eyed at neighbors that seemed a little too friendly. Mia Farrow nailed the part of Rosemary in the movie.

10. From Hell by Alan Moore and Eddie Campbell. This graphic novel about Jack the Ripper is not for the squeamish. The haunting images and story-line will keep you up for days. My favorite Jack the Ripper tale.

11. The Doll’s House, Volume 2 of The Sandman series by Neil Gaiman. Neil Gaiman, the man who gets in your head and stays for awhile. Again not for the squeamish, nor those disturbed by stories and images of violence, mayhem, and retribution.

12. Cabal by Clive Barker. The movie Nightbreed was based on this book. A superb blend of horror and fantasy, you will find yourself rooting for the monsters.

13. “I Have No Mouth and I Must Scream” by Harlan Ellison. This short story is a thorn in your brain. It keeps me up at night, in the same way Octavia Butler’s post-apocalyptic novels do. It seems ever so possible.

What stories have kept you up? Please share, I am always looking for a good scary story.

 

Fiona Zedde: Delicious Desire_ A Year of Women’s Voices

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I met Fiona Zedde in 2011 when she came to speak at the College of Wooster. We hosted her in our home. She was lovely, engaging, and totally forgave my goofy dog for destroying an intimate article of her clothing. She gifted us a copy of Dangerous Pleasures (2011).

Being the voracious reader that I am, I finished it in a day, and just like one of her characters, I was hungry for more. More women secure in their sexuality, secure in their desires. Many understanding that they want a protective father as a partner, and more of Fiona’s luscious writing. Her word choice, and character development are exceptional. Her writing is sultry, seductive, and tantalizing. Fiona’s stories feature lead characters that are smart, introspective and passionate. Her novels achingly explore the intersections of love, hate and desire.

In addition to her contemporary novels and stories of lesbian love and desire, Ms. Zedde also has written two urban fantasy novels, Every Dark Desire (2007) and the sequel Desire at Dawn (2014). Her vampires do not sparkle, and would rip your throat out for even suggesting it.

Urban fantasy is one of my favorite genres. I devoured Every Dark Desire (2007) and had to wait, not so patiently for Desire at Dawn (2014). Be warned! Her writing is so engaging that I neglected to notice a bat flying around my house while absorbed in Broken in Soft Places (2013). If you start reading one of Ms. Zedde’s novels you may not stop, even for a bat!

My favorite Fiona Zedde books/stories:

Dangerous Pleasures (2011) Risk, longing, denial, death, surrender, and love. What more could you ask?
Every Dark Desire (2007) and Desire at Dawn ( 2014) Hot, sexy, lesbian vampires, no sparkling. Did I say hot?
Bliss (2005) Edgy sexual exploration that leads a woman to her true self. A coming out story that captures the initial confusion and ultimate delight of becoming who you are.
Nightshade( 2012) An assassin makes her way through this collection of stories, kicking ass and taking hearts.
When She Says Yes (2014) A collection of provocative short stories, perfect for (adult) bedtime.

As a writer this is what I have learned reading Fiona Zedde:

1. Word choice is key in provoking emotions and driving narrative.
2. Don’t back away from the hard scenes, show them, warts and all.
3. Character growth is story.
4. Complex relationships create a compelling read.
5. Present the reality that is racism, homophobia, and class conflict in your stories.
6. Make your characters, even the vile characters, live on the page.

Here is the link to Fiona’s website: http://fionazedde.weebly.com and a short biography:

Jamaican-born Fiona Zedde is the author of several novels, including the Lambda Literary Award finalists Bliss and Every Dark Desire. Her novel, Dangerous Pleasures, was winner of the About.com Readers’ Choice Award for Best Lesbian Novel or Memoir of 2012. Her new vampire novel, Desire at Dawn, is available now. 

Alisse Waterston: Making Theory Accessible with Intimate Ethnography

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This is my sixth post in my Year of Women’s Voices blog
series, and features my review of Alisse Waterston’s ethnography My Father’s
Wars: Migration, Memory and the Violence of a Century  (2014).  In this intimate ethnography of her father, Dr. Waterston
has written a frank portrayal of her father as a man, a survivor, a soldier, an
entrepreneur, husband, and father.  Her
writing honors her father without maudlin sentiment.  She frames her father’s lived experiences
with migration and violence, and uses his experiences to illustrate social
theory in a way that makes it accessible for non-academics.
Her writing is crisp, clear, and rich with detail. She
chooses a concise series of her father’s life events that create a reading
experience that is informative, and moving. The reading experience is enhanced by the companion website that
contains photographs, documents, audio files, and videos of her interviews with
her father as she worked on this ethnography. The book becomes a much more intimate experience through watching the
interactions between Dr. Waterston and her father, observing their body language, and listening to their voices.
 As a writer I appreciate Dr. Waterston’s explanation of her
struggles in her dual roles as daughter and ethnographer, and her process of
conducting research. I truly appreciated her discussion of the discipline it
took to not be distracted by the numerous ideas for other projects that called
to her during this project, especially when the experience of the project
became difficult.
If you are interested in ethnographic studies, social
theory, history, Judaic studies, anthropology, or if you are looking for an
extremely readable book that might help you understand how the experience of
violence shapes lives, this is the book I would hand you.
 What I have learned as a writer:
  1.    It is okay to include yourself in the story.
  2.    Stick with the project even when it is hard, or
    other projects beckon seductively from your research.
  3.   It is possible
    to portray unflattering behaviors in a way that is not overly sympathetic, nor  vindictive.
  4.  Multimedia
    can make a non-fiction project a richer experience, and allows the writer to
    include    research material that would be otherwise not be available.
  5.   Write the story that is hard to write, be
    fearless.
  6.    Don’t be trapped by conventions of disciplines
    or genre.
 I am grateful that
Dr. Waterston has created a work that is compelling, and readable on a subject
that is difficult to read about. When
confronted with violence, most of us want to turn away, to shield our eyes and our minds from horrific events. Dr. Waterston reminds us that even if we
want to look away, we must not, we need to understand.
For a biography and more information about Alisse Waterston and her other books, this is the link to My Father’s Wars website and this is the link to Dr. Waterston’s home page

 

 

The Lush World of N. K. Jemisin: The Hundred Thousand Kingdoms

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I love N. K. Jemisin’s  The Inheritance Trilogy (The Hundred Thousand Kingdoms, The Broken Kingdoms, The Kingdom of Gods).  If you like speculative fiction I can not recommend this series enough. Even if you think you don’t like speculative fiction you should read this for the sheer joy of reading a story that is so well written. I first came across N. K. Jemisin’s  writing through a short story collection Steam-Powered: Lesbian Steampunk Stories (2011).  Her short story “The Effulent Engine” featured strong, intelligent women, and I was hooked.

As a reader I love stories that pull me deep into the character’s world. Ms. Jemisin creates a world that is rich with conflict, full of complex characters coping with cultural beliefs, manipulation, grief, oppression, murder, betrayal, and love.

The environment that the characters live, love, and die in is essential to good story telling. So many speculative writers lose focus when it comes to the world their characters live in, taking short cuts,  they end up creating a cardboard world. That is not the case here. Ms. Jemisin creates a world that is original, enchanting, and essential to the the story. Her writing is tight, focused, and a pleasure to read, the writing never distracts from the story.

As a writer this is what I have learned from reading N. K. Jemisin:

1. Main characters come in all genders, shapes and sizes.
2. Create your own world, make it real, make it sing to your readers souls.
3. Speculative fiction is custom made to explore complex issues.
4. Write tight, make every word count.
5. Weave environment and culture into your story.

 

 

 

A Year of Women’s Voices: Patti Smith’s Just Kids

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2014

I have been a Patti Smith fan since high school. I wore out my copy of Horses. I could not get enough. In college I played Patti Smith loud to annoy the preppys and the narrow-minded.
I loved her lyrics and punk sound. The gender bending album cover and lack of make-up made me want to be in her world.

Later I found her poetry and have remained as enamored of her as I was in high school.  In 2010 her memoir Just Kids won a well deserved National Book Award. I say well deserved because she is an engaging story-teller and writer. She brings a poet’s rhythm and word craft to the story of her young life, and her relationship with Robert Mapplethorpe. She is humble and honest. I have read a number of memoirs that are maudlin, poorly written, or deify belief. Just Kids is all that a memoir should be, a true telling of events that engages your senses and soul.

What I have learned as a writer reading and listening to Patti Smith:
1. Don’t be afraid to be who you are.
2. Ugly can be beautifully written.
3. Be honest.
4. Pay attention to the rhythm of your words.
5. Not everyone will understand your work, don’t let it stop you.

Here is a link to one of my favorite Patti Smith songs. I want you to imagine it played at top volume on a turntable in a tiny dorm room with punk posters on the wall, and illegal beer stashed in the shower. Enjoy!

 

http://m.youtube.com/watch?v=xACZHv-sLCg&autoplay=1

Powerful and Evocative: Octavia Butler

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Give me the thorns…

It was 1981 when I discovered Octavia Butler’s fiction.  I fell hard, reading everything that I could find that she had written.  As an long time fan of Science Fiction/Fantasy, I craved stories that featured women as more than objectified window dressing. Octavia Butler’s writing is populated with women who are intelligent, strong, survivors, and creators.   Her writing is evocative and powerful. Crisp and clear, her pacing forces you to read on, long after you should have turned off the light.

Octavia Butler was not afraid to write about pain, death, rape, slavery, the future, sexual violence, power dynamics, and racism. The difficult topics that so many writers look away from, or gloss over in their work, she featured front and center in her stories.  Her writing pulls you close, and forces you to keep reading, even when part of you wants to look away. Her language is intoxicating. Her voice draws you into her world, and everything else falls away. Be warned: Ms. Butler will make you think about things you might not want to think about.

My favorite books/stories are:

1. Blood Child- (Blood Child and other Stories, 1995)  Insects, male pregnancy, power dynamics and love.  This story won both the HUGO and the Nebula award. It was the first of her works I read, and the one I go back to when I need a fix.

2. Fledgling (2005) Vampires, Race, and Society.  A welcome twist on the vampire motif. No sparkly vampires here!

3. Kindred (1979) Nightmare fantasy, time travel, and slavery. Read it at least twice to get the full effect. Her ability to weave past and present events is exceptional.

4. Lilith’s Brood ( Xenogenisis Trilogy- published as omnibus editions since 2000) – Genetics, third gender extraterrestrials, sex and power dynamics.  Lover or master? Rescued or captured? Or all of the above? This collection of stories is seductive and terrifying.

5. Parable of the Sower (1993) Dystopian future, Race,  the power of learning, a new religion, and hope.  This novel reminds me that there is always a way forward for those that strive to make their own way.

What I have learned as a writer reading Octavia Butler:
1. Don’t be afraid of exploring and writing the hard stuff: Race, gender dynamics, sexual violence, power dynamics, hate, and love.
2. Wrapping difficult topics in a captivating story makes them provocative and powerful.
3. Story construction and pacing is as important as word choice.

Octavia Butler left us in 2006. I still grieve for the stories she had inside that we didn’t get to read.

Why I love The Bloggess AKA Jenny Lawson

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Hanoi Airport, 2009

This is the second installment in the year of Women’s Voices series and the featured voice belongs to Jenny Lawson aka The Bloggess. Her book Let’s Pretend This Never Happened ( A Mostly True Memoir  is funny, heartbreaking and full of weirdness.  Her memoir is an open discussion of her struggles with depression, distraction, and anxiety. I adored her twisted tales of family, love, death, and taxidermy.

As someone who has had my share of weird adventures that are tragic/comic, reading this book felt like I was a sitting in a bar with an old friend. In our family and in my circle of friends, when things are bleak, we always find something to laugh about, even if we end up crying at the same time. This book is like that. Be warned, some might find her humor and style offensive. If you are at all freaked out by discussions of taxidermy, this is not the book for you.  If you want to sample her writing style before committing to the book, check out her blog here  thebloggess.com .

As a writer, the lessons of story and craft that I gleaned from this book are:

  1.  Be honest, except when an exaggeration will make better copy.
  2. Swearing is okay if done artfully, and she is a freaking Picasso with curse words. For those of you who know me: she swears more than I do, which is saying a lot!
  3. Do not be afraid to talk about the hard things, for example: exhuming dead pets, losing a baby, and taxidermy puppets.
  4. No matter how weird it gets, it can get weirder, and funnier.
  5. Truth can be funnier than fiction.
As a fiction writer I don’t have any plans to write a memoir, but after reading Let’s Pretend This Never Happened: (A Mostly True Memoir),  I know that if I did, I would strive to be as funny and as honest as Jenny Lawson.
2014